*corresponding author
Abstract
A crucial component of literary works is the depiction of dialogue, written communication, and the introspective thoughts of characters or individuals. This research aims to investigate the portrayal of thoughts in Hemingway's novel, A Farewell to Arms. To this end, a comprehensive examination of various methods of presenting thoughts is conducted in relation to Short & Leech's (2007) framework. Four separate examples have been purposefully picked with the objective of studying the stylistic depiction of thoughts in Hemingway's novel, A Farewell to Arms. The excerpts are chosen based on the probable stylistic characteristics of the discourse categories. Two passages are selected from Book I, and two excerpts are chosen from Book II of the novel. The inquiry determined that A Farewell to Arms is told only from the perspective of the protagonist, Henry Fredric, via his consciousness. The study has prioritized the classification of thought presentation rather than speech presentation. Furthermore, the narrative is mostly conveyed via the use of three distinct categories: free indirect thought, direct thought, and free direct thought. During discussions, the dominant modes of communication are direct thought and free direct thought. KeywordsThought Presentation, Direct Thought (DT), Free Direct Thought (FDT), Indirect Thought (IT), Free Indirect Thought (FIT), Narrative Report of a Thought Act (NRTA).
|
DOIhttps://doi.org/10.47679/jrssh.v5i1.178 |
Article metrics10.47679/jrssh.v5i1.178 Abstract views : 45 |
Cite |
References
Bray, J. (2014). Speech and Thought Presentation in Stylistics. In M. Burke, the Routledge Handbook of Stylistics (pp. 222-236). New York: Routledge.
Bray, J. (2023). Speech and thought presentation in stylistics. In The Routledge handbook of stylistics (pp. 235-250). Routledge.
Busse, B. (2020). Speech, Writing, and Thought Presentation in 19th-Century Narrative Fiction A Corpus-Assisted Approach. Oxford: Oxford University Press.
Cohn, D. (1978). Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton NJ: Princeton University Press.
Douthwaite, J. (2007). Using Speech and Thought Presentation to Validate Hypotheses Regarding the Nature of the Crime Novels of Andrea Camilleri. In Stylistics (pp. 143-167). Brill. https://doi.org/10.1163/9789401205313_009
Fludernik, M. (1993) The Fictions of Language and the Languages of Fiction, London and New York: Routledge.
Hemingway, E. (2004). A Farewell to Arms. New Delhi: Atlantic Publishers
Herman, L. & Vervaeck, B. (2001). Handbook of Narrative Analysis. Lincoln and London: University of Nebraska Press
Jeffries, L., & Mclntyre, D. (2010). Stylistics. Cambridge: Cambridge University Press.
Khan, M. Y., & Sajjad, S. A. (2023). A Study of Characters’ Speech and Thought Presentation in Sidhwa’s Work Water: A Stylistic Analysis. Pakistan Journal of Humanities and Social Sciences, 11(4), 4325-4332. https://doi.org/10.52131/pjhss.2023.1104.0696
Leech, G. N. and Short, M. H. (1981) Style in Fiction, London: Longman.
Leech, G. N. and Short, M. H. (2007). Style in Fiction, A Linguistic Introduction to English Fictional Prose (Second Edition). United Kingdom: Pearson Longman.
Lugea, J., & Walker, B. (2023). The Presentation of Speech, Writing and Thought. In Stylistics: Text, Cognition and Corpora (pp. 87-113). Cham: Springer International Publishing. https://doi.org/10.1007/978-3-031-10422-0_4
Rimmon-Kenan, S. (1983) Narrative Fiction: Contemporary Poetics, London: Methuen.
Schmid, W. (2010). Narratology: An Introduction. New York: Walter de Gruyter.
Semino, E. (2004). Representing characters' speech and thought in narrative fiction: A study of England, England by Julian Barnes. Style, 38(4), 428-451. https://www.jstor.org/stable/10.5325/style.38.4.428
Semino, E., & Short, M. (2004). Corpus Stylistics: Speech, writing, and thought
Short, M. (1996) Exploring the Language of Poems, Plays and Prose. London: Longman.
Short, M. (2012). Discourse presentation and speech (and writing, but not thought) summary. Language and Literature, 21(1), 18-32. https://doi.org/10.1177/0963947011432049
Sotirova, V. (2024). The Representation of Experience in Modernist Fiction. In: Pillière, L., Sorlin, S. (eds) Style and Sense(s). Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-54884-0_2
Verdonk, P. (2002). Stylistics. Oxford: Oxford University Press.
Zebari, Z. A. A., & Mohammadzadeh, B. (2021). Speech and thought presentation in Chance by Alice Munro: A stylistic analysis. Advances in Language and Literary Studies, 12(1), 77-83. https://doi.org/10.7575/aiac.alls.v.12n.1.p.77
Refbacks
- There are currently no refbacks.
Copyright (c) 2024 batool abdulmohsin miri
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
______________________________________________________________________________________________
Journal of Research in Social Science And Humanities
Published by Utan Kayu Publishing
Email: jurnal.jrssh@gmail.com
JRSSH is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.